KEIJI SHINOHARA

“While living in Kyoto, I trained for ten years in the traditional Japanese woodblock printing style known as Ukiyo-e. The technical foundation for my artwork is rooted in that training, accompanied by techniques of contemporary western printmaking. Yet the imagery itself is very different from historical Ukiyo-e.

The process of printmaking is appealing to me because of its inherent surprises. Until I peel away the paper from the woodblock, I really don’t know what the image will look like. There is always a negotiation going on with the material. Each piece of wood brings its own character to which I must adjust each time. I may decide to change the image in order to preserve what the block is offering me.

For me, the story behind the work is very important; there is a sense of narrative that is very private. The feelings and emotions that I convey through these abstract landscapes matter most to me. Almost always my images are of nature, but it is the essence of the landscape that I want to express, not realistic accuracy.” – Keiji Shinohara

Press

Color Harmony/Color Woodcut Olivia Drake
13 Oct. 2015
Inner Life of Landscape Painters Karen Kedmey: Artsy Editorial
17 Apr. 2015
Keiji Shinohara At Paris In Plantsville Susan Dunne, Hartford Courant
Shinohara’s Monotypes to be Exhibited at Plantsville Gallery Lauren Rubenstein, Wesleyan University
Keiji Shinohara on 1stdibs
Keiji Shinohara on Artsy